#The white stripes white blood cells tv#

#The white stripes white blood cells tv#

The cover art of White Blood Cells depicts the duo getting both attacked and enamored by a clan of people wielding TV and video cameras. It was the first time for the band recording in a 24-track recording studio, and Jack White asked recording engineer Stuart Sikes more than once 'not to make it sound too good.' Packaging The record was 'rushed' and a final day was saved for mixing and mastering the record this was the first White Stripes album to be mastered in the studio. The record's quick production was intentional in order to get 'a real tense' feeling, as well as capture the band's energy. Meg White was initially hesitant to commence immediate recording, as she thought the songs were 'too new.' The album was recorded in less than four days, to try to keep it 'as unorganized as possible,' according to Jack. The band rehearsed for one week and began recording at Easley-McCain Recording, in Memphis, Tennessee in February 2001.

In recent years, the album has been, along with the band's follow-up Elephant (2003), featured on several music publications' lists of the greatest albums of the 2000s as well as all-time. It helped define the band's sound and shape the band's role in the garage rock revival of the early 2000s. Praised for its simplicity and straightforward sound and instrumentation, White Blood Cells set the stage for The White Stripes to breakthrough into the mainstream and is often compared with classic rock influences. The album's cover art satirically parodies the amount of increasing mainstream popularity the band was receiving, which depicts the duo attacked by photographers.

The White Stripes followed with a worldwide tour and the record peaked at number 61 on the Billboard 200, later being certified platinum by the Recording Industry Association of America. Following a major label re-release on V2 Records in 2002, the album became promoted throughout the music press, bringing the band critical acclaim. The album's lyrical themes, which were written by White over a period of four years, touch on themes relating to love, hope, betrayal, and paranoia. Likewise, White Blood Cells' ability to surprise old fans and win over new ones makes it the Stripes' finest work to date.Continuing the stripped-down garage rock nature of the duo, White Blood Cells attempts to do away with the band's blues rock influences, instead displaying a more raw, basic, and primitive rock and roll sound. Few garage rock groups would name one of their most driving numbers 'I'm Finding It Harder to Be a Gentleman,' and fewer still would pen lyrics like 'I'm so tired of acting tough/I'm gonna do what I please/Let's get married,' but it's precisely this mix of strength and sweetness, among other contrasts, that makes the White Stripes so intriguing. However, White's growth as a songwriter shines through on virtually every track, from the cocky opener 'Dead Leaves and the Dirty Ground' to vicious indictments like 'The Union Forever' and 'I Think I Smell a Rat.' 'Same Boy You've Always Known' and 'Offend in Every Way' are two more quintessential tracks, offering up more of the group's stomping riffs and rhythms and us-against-the-world attitude. The country-tinged 'Hotel Yorba' and immediate, crazed garage pop of 'Fell in Love With a Girl' define the album's immediacy, along with the folky, McCartney-esque 'We're Going to Be Friends,' a charming, school-days love song that's among Jack White's finest work. Admittedly, White Blood Cells lacks some of the White Stripes' blues influence and urgency, but it perfects the pop skills the duo honed on De Stijl and expands on them. As produced by Doug Easley, it sounds exactly how an underground sensation's breakthrough album should: bigger and tighter than their earlier material, but not so polished that it will scare away longtime fans. White Blood Cells, Jack and Meg White's third effort for Sympathy for the Record Industry, wraps their powerful, deceptively simple style around meditations on fame, love, and betrayal. Despite the seemingly instant attention surrounding them - glowing write-ups in glossy magazines like Rolling Stone and Mojo, guest lists boasting names like Kate Hudson and Chris Robinson, and appearances on national TV - the White Stripes have stayed true to the approach that brought them this success in the first place.